Crew Network for the Entertainment Industry
Premium Member Stage Managers
With thousands of members now part of Roadiejobs.com, quickly finding specific tour related companies and personnel can be a challenge. We have designed this "Premium Member Stage Managers Page" to give individuals and businesses in this field an opportunity to stand out and showcase their services to the touring industry. Each listing contains a "FULL PROFILE" link so you can easily contact them to inquire about their services.
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Brian Sateia ( profile # - 6940036 ) Guitar Tech, Bass Tech, Drum Tech, Keyboard Tech, Tour/Production Manager, Production Assistant, Stage Manager, Video Has Worked With: I have worked with quite a few. Some of them, Alice Cooper, Slash's Snakepir, Hilary Duff, SALIVA, TRAPT, The Zutons, etc., etc., E-mail: bribhour@aol.comBase: U.S.A. Full Profile: |
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RBCB Productions ( profile # - 6940221) Tour Manager, Production Manager, Stage Manager, Complete Production plus Project Manager. I have also been the Site Coordinator for Major tours. Has Worked With: Ozzy, Black Sabbath, The Rolling Stones, AC/DC, NFL,PINK,Joe Cocker,John Mayer,Tina Turner,Barney,Ect....Ect....Ect.... Phone:303-885-2084 Base: Arvada, CO Full Profile: |
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Dan Housel ( profile # - 6940274) Tour/Production Manager, Stage Manager, FOH, Monitor Engineer Has Worked With: Natasha Beddingfield, Idina Menzel, The Roots, TRAPT, Alien Ant Farm, Jurrasic 5, Whiskey Falls, Lady Antibellum, Many, many others!! Phone: (714) 768-4669 Full Profile: www.RoadieJobs.com/profile/DanHousel |
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Kevin Devogel Stage Manager, Guitar Tech, Bass Tech, Drum Tech Has Worked With: Gogol Bordello, Manowar, Soulwax, Disco Ensemble, Los de Abajo, Throw Rag. E-mail: kevin.devogel@gmail.comBase: Tuscon, AZ Full Profile: |
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Robbie Cope ( profile # - 6940279) Drum / Backline Tech, Merchandise Manager, Tour Manager Has Worked With: Prince ~ HURT ~ Jason Mraz ~ Brooks & Dunn ~ Jonny Lang ~ FLIPP ~ Jamie Foxx ~ Renee Austin Phone: 760.637.7964 Full Profile: |
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Terry "T-Bone" Myers ( profile # - 6940100 ) Tour/Production Manager, Stage Manager, Guitar Tech, Bass Tech Has Worked With: The Cult, Saliva, Evans Blue, Black Tide, Ingram Hill, Future Leaders of the World Phone: 217-649-8621 Full Profile: |
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Gary J. Brunclik ( profile # - 6940004 ) Tour/Production Manager, Tour Accountant, Stage Manager, FOH, Monitor Engineer, In Ear Monitors, Drum Tech, Keyboard Tech, Backline, Trucking Has Worked With: Matthew Sweet, The Bridges, Five for Fighting, Soul Asylum, Skillet, The BoDeans, Shannon Curfman, 3 Doors Down, Travis Tritt, Everclear, Vonda Shepard, David Copperfield, The BoDeans, Freddy Jones Band, Mach Five, Laura Love Phone: 414-313-6332 Full Profile: www.roadiejobs.com/profile/GaryJBrunclik |
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Eddie Shea ( profile # - 6940263) Tour/Production Manager, Stage Manager, FOH, Guitar Tech, Bass Tech, Keyboard Tech, ProTools Recording & Editing, Set Carp Has Worked With: Joe Cocker, P!nk, Tony Joe White, Suicidal Tendencies, Throwing Muses, Bad Brains, Shootyz Groove, Living Color/ Doug Wimbish, and more Phone: 1-860-608-7482 Full Profile: |
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Ray Polen ( profile # - 6940100 ) Lighting, L.D., Guitars & Bass, Stage Manager Has Worked With: Plunge, Wrathchild America, Rayvns, Mannekin, Numerous one-off Nationals Phone: 443-600-1502 Full Profile: |
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Arild Nordgaard ( profile # - 6940209) Guitar Tech, Stage Manager, Drum Tech Has Worked With: A-HA, Beverley Knight, Mew, D:A:D, Monster Magnet, Dio, Volbeat, Pretty Maids Phone: +45 5134 1708 Full Profile: |
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Mark Bollenberg ( profile # - 6940063) Tour/Production Manager, Stage Manager, FOH, Monitor Engineer, Rigging Has Worked With: Tori Amos, Paul Young, Lord Of The Dance, Ringo Star, Phil Collins Phone: +61 413 037535 Full Profile: |
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William Staton ( profile # - 6940295) Tour/Production Manager, Stage Manager, Lighting/L.D., Bus Driver Has Worked With: Scorpions, Robert Plant, UB-40, MC Hammer, Indigo Girls, KISS, Eagles, Lynyrd Skynyrd, Prince, The Cure, Joe Satriani, Steve Via, Tracey Lawrence, Trisha Yearwood, Michael Buble, Godsmack, Gloria Estefan Phone: 765-610-3882 Full Profile: |
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Jonny Ver Planck ( profile # - 6940180) Tour/Production Manager, Tour Accountant, Production Assistant, Stage Manager, FOH, Monitor Engineer Has Worked With: Reverend Horton Heat, TRAPT, Linkin Park, Kottonmouth Kings, Rehab, Guttermouth, Ten Foot Pole, Voodoo Glow Skulls, Sprung Monkey, All That Remains, Supersuckers, etc etc etc....... Many more..... Phone: (573) 301-5756 Full Profile: |
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"Munch" - Scott Bearden ( profile # - 6940102 ) Ass't Tour Mgr, Production Mgr or Ass't, Stage Mgr, Drum & Keyboard Tech, Merchandise Has Worked With: Molly Hatchet, Head East, REO Speedwagon, Gary Richrath, Litterer, etc. Phone: 1-319-551-9346 Full Profile: |
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Ryan Gorman ( profile # - 6940240 ) Tour/Production Manager, Production Assistant, Stage Manager, FOH, Monitor Engineer, Guitar Tech, Bass Tech, Drum Tech, Keyboard Tech, Merch Has Worked With: Front of House, Monitors, Drums, Guitars, Bass, Tour Management, Live Playback, Pro Tools Certified Base: Indianapolis, INFull Profile: |
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Chris Grigg ( profile # - 6940181) Tour/Production Manager, Stage Manager, FOH, Monitor Engineer, Bass Tech Has Worked With: The Fixx, Joan Jett, Warrent, Robert Randolf, The Motels, Grand Funk, Little Feat, Phone: 804-467-5067 Full Profile: |
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DANNY OWEN ( profile # - 6940086) Tour/Production Manager, Stage Manager, Photography Has Worked With: Kings Of Leon, Living Colour, The Secret Machines, Michael Franti & Spearhead, Brandi Carlile, Teddy Thompson, Taj Mahal Trio, Robert Randolph and the Family Band, John Popper Project, Dj Logic, Augie March, Hey Negrita, SouLive, JJ Grey & MOFRO. Phone: 917-653-1065 Full Profile: |
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Richard Abrans ( profile # - 6940284 ) stage manager, production manager, theater operations Has Worked With: SoNo CT. Arts Festival, Norwalk CT. Oyster Festival, Hartford CT. Jazz Festival, many other concerts Phone: 203-772-4988 Full Profile: |
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Travis M. Walat ( profile # - 6940225) Stage Manager, FOH, Monitor Engineer Has Worked With: Touring- Lila Downs, Rubben Studdard. Many more when I was a house engineer at DC's 930 Club. Phone: 301-693-8036 Full Profile: |
3 Comments
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Comment by Kenneth Knight on July 20, 2009 at 7:43pm - Need a set medic? give me a call!
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Comment by Paulie Hanshaw on August 24, 2009 at 8:58am -
Available Driver/Tech For A Upcoming Tour
Paulie Hanshaw
Beatrice,Ne
(402)239-4237
manager08@live.com
© 2009 Created by Daws
Although a somewhat fluid line of work, in essence the stage management team (which can consist of a production stage manager, several assistant stage managers, and any number of production assistants) is responsible for organizing the production, communicating across different disciplines (e.g., between the director and the backstage crew, or the actors and production management), and keeping everything running smoothly. This refers not only to seamless management of the technical aspects of a production, but of the human aspects as well.
There is a profound lack of information regarding the history and evolution of stage management. Most stage management books are reference or how-to manuals describing the process of stage management[1] [2], with little or no reference to the history of the field. The modern stage manager descends from the actor-manager of the Renaissance and into the seventeenth and eighteenth centuries; these actors took upon themselves the handling of finances and general directorial duties.[3] In the introduction of his book, professional stage manager Larry Fazio says, "In the final stages of putting this book together, I realized that I wanted to include a section on the history of SMing. In my research, I found only one SMing book that briefly described the evolution of the SM, which started in the 17th century during Shakespeare’s and Moliere’s time...by [this] time, the actor and/or playwright was well established as the director of the show and putting together a production had become more civilized and organized. More props were used and special costumes were needed to portray the characters. It wasn’t until the eighteenth century in England that the term stage manager was used instead of director. This was the first time a person, separate from the actors and playwright, was hired to direct or manage the stage. With the advent of elaborate sets, multiple costume changes, mechanical scenery and devices, gas lighting, and the lime-light spotlight, the SM’s job was split into the two positions as we know them today—the director and the SM." [4] There is little more information than this to be had anywhere; passing references in theatre history texts, and the oral history from early twentieth century stage managers themselves. The written history of stage management seems to go no further.
The responsibilities and duties of stage management vary depending on the setting of a production, i.e., rehearsals or performance, and the type of production being presented (theatre, dance, music). Most broadly, it is the stage manager's responsibility to ensure that the director's artistic choices are realized in actual performance. Typically in theatre, the stage manager acts as an adjunct to the director in rehearsal, recording the blocking and seeing that cast members stay on script, have necessary props, and follow the blocking. As the lighting, sound, and set change cues are developed, the stage manager meticulously records the timing of each as it relates to the script and other aspects of the performance. The stage manager also ascertains that the lighting and sound cues are taken at the right time. As an example, a typical lighting cue might be called as "LQ 38, stand by" (or "Stand by LQ 38"), with the light board operator replying, "standing" (in the UK, "standing by"), and in turn the stage manager's "LQ 38, go" ("LQ 38, go") setting everything in motion at the appropriate time. The stage manager also maintains a prompt book, sometimes called "the book" or "the bible," which contains all cues, technical notes, blocking and other information pertinent to the show.
During rehearsals, stage managers are responsible for helping establish the show's rehearsal schedule and then ensuring that rehearsals run on time. Once the house opens, the stage manager essentially takes control, calling the cues for all transitions (this is known as "calling the show"), as well as